Since it started in January, I’ve been following Saladin Ahmed’s Abbott series, which has continually impressed me with its subject matter and protagonist. Elena Abbott’s journalistic integrity combined with her status as a black woman has provided an interesting journey. Each issue has built momentum, showing elements of a supernatural threat lingering over Detroit. In Abbott #5, Elena finally confronts the demons of her past and future with explosive results.
Since it started back in January, Saladin Ahmed’s Abbott series has been one of the most intriguing independent comic stories going. The potent mixture of political and supernatural themes have painted a compelling picture of Detroit in the 1970s. Abbott #4 sees daring reporter Elena Abbott finally get to the bottom of a case that’s been testing her since the beginning.
Saladin Ahmed’s Abbott series has been one of the exciting original stories of 2018, with its focus on blaxploitation and political upheaval in 1970s Detroit. The momentum continues to build in issue three, as Elena Abbott looks to unravel a mystery that’s becoming increasingly supernatural. The story picks up directly from the second issue, with Abbott trying to escape a murderous centaur that’s determined to cut her investigation short.
The 1970s were a time of great cultural upheaval, from the Vietnam war, to the rise of disco. The decade provides fertile storytelling ground for Abbott #1, written by Saladin Ahmed. The comic features strong-willed reporter Elena Abbott investigating a case that forces her to confront her past. As a black woman in 1970s Detroit, Abbott faces a hotbed of racism and political change that tests her resolve and Ahmed makes sure she’s up for the challenge.