DC: Rebirth has been successful in bring a lot of characters back to their roots, reminding fans what they loved in the first place. A character who’s benefitted from Rebirth is Deathstroke, particularly in the latest graphic novel to be released called The Gospel of Slade. It puts the spotlight on Deathstroke and his family, giving the reader an insight into the life of the complex mercenary. Written by Christopher Priest, The Gospel of Slade strips Deathstroke down to his core and asks the question of whether he’s a necessary evil. Continue reading “Deathstroke: The Gospel Of Slade Review”
With modern comic writers redefining the struggle between heroes and villains, it’s easy to focus on what’s happening in the present. But some stories are timeless and that’s certainly the case with 1993’s Spider-Man: Maximum Carnage arc, written by Tom DeFalco and J.M. DeMatteis. The graphic novel sees the return of Carnage, who’s assembled a group of killers to go on a murdering spree across New York. Spider-Man is pushed to his limits and here is my review.
“A bullet coming at you. Eyes that say he’s more than a man, eyes that say he knows you. No…you know what he is. Tell yourself the truth. He’s just a man who fell into a vat of chemical waste. He’s just a man like you, made of bone and flesh and blood.” – Batman
Batman: Death Of The Family, written by Scott Snyder and drawn by Greg Capullo, is one of the most visceral Batman stories of all time. It involves the return of The Joker, who’s been away for a year and has set his sights on destroying the people closest to The Dark Knight. Previously, Joker had cut off his face and disappeared, claiming he would be reborn. The relationship between Batman and Joker is given new depth, and the Clown Prince of Crime is at his most deranged and unpredictable.
“It all starts with you, son. Not the man you’ll become, but the man you choose to be. No one’s going to hand these things to you. You have to earn them. And until then, one of the hardest things to realise is that nobody owes you anything. You can be anyone — anything — you want to be, son. You can have the world. All you have to do is remember these things…all the things I haven’t done.” – Jax Teller
Sons of Anarchy was one of my favourite series, and I’m continuing to delve into the world through reviewing the comics. Sons of Anarchy: Volume 5, written by Ryan Ferrier and drawn by Matias Bergara, is a standalone story that involves a new prospect joining the club. Dillon is the nephew of Bobby Munson and he seems like a good addition to the Sons to begin with. However, things quickly go wrong and Jax is forced to make a hard decision.
I’m back with another review of the Red Hood And The Outlaws series, written by Scott Lodbell. Issue 9 sees the much needed return of artist Dexter Soy. Red Hood and Bizarro have agreed to help Artemis find the Bow of Ra and the trio have travelled to the country of Qurac. The country is a war zone, full of disparate groups battling for survival. It’s also the place Jason Todd was murdered by The Joker.
Today, I’m reviewing Sons of Anarchy: Volume 2, written by Ed Brisson and drawn by Jesus Hervas. I love the show and I’ve enjoyed seeing the stories that are woven in and out of the series. SOA has themes of brotherhood, violence, loyalty and family. This is shown in the graphic novel adapations as well. Volume 2 is set between the third and fourth seasons, where the Sons have been sent to Stockton prison to serve a thirteen month sentence for gun running.