A series I’ve been following for a long time is Red Hood and The Outlaws, and it’s been amazing to see how Jason Todd has grown over time. Since DC Rebirth, Red Hood has been operating with Batman’s approval, providing he didn’t kill anyone. But after finding out the Penguin was involved in sending Willis Todd to prison, Jason shot the crime boss in front of the world. Red Hood and the Outlaws #25 deals with the aftermath, putting Red Hood and Batman on a collision course with each other. The emotion-packed issue is one of the best that Scott Lobdell has ever written. Continue reading “Red Hood And The Outlaws #25 Review: Jason Todd Gets His Edge Back In A Big Way”
Seeing a superhero struggle with their mental health makes for an engaging story, which is part of what makes the Sentry such a fascinating character. Jeff Lemire is currently writing an ongoing series about Robert Reynolds and his battle to contain his alter egos. Sentry #2 picks up from a strong opening issue, with Bob realising that he needs to track down the device that is preventing the Void from returning to the real world. Themes of isolation, reality and mental instability are explored in a tightly-paced story.
Comics provide an excellent opportunity for worlds to be created, with characters spinning off into their own series. Drew Edwards, the writer of Halloween Man, decided to do exactly that by creating Lucy Chaplin: Science Starlet. The comic features the adventures of Lucy Chaplin, a capable scientist who is considered to be one of the greatest minds in the world. The comic is intriguing because it contains a mixture of feminist empowerment and gender politics.
Everyone has their own definition of a superhero. Some people might see them as invincible powerhouses that can overcome any challenge. But many superheroes struggle with their mental health, and the Sentry is one of the best examples. Sentry #1, written by Jeff Lemire, sees the Golden Guardian return in a new series. Yet the return of Sentry also heralds the return of his dark alter ego, The Void. Sentry #1 brings up the idea of whether being a superhero can turn into a drug, so there’s a lot to be intrigued about.
Since it started in January, I’ve been following Saladin Ahmed’s Abbott series, which has continually impressed me with its subject matter and protagonist. Elena Abbott’s journalistic integrity combined with her status as a black woman has provided an interesting journey. Each issue has built momentum, showing elements of a supernatural threat lingering over Detroit. In Abbott #5, Elena finally confronts the demons of her past and future with explosive results.
Elektra is a character that’s known for her connection to Daredevil, but her backstory allows her to fit into other parts of the Marvel Universe. Elektra: Always Bet On Red, written by Matt Owens, sees Elektra go to Las Vegas to try and escape her past and start over. But Sin City is a place of criminals looking to leave their mark, and picking a fight with one of Earth’s deadliest assassins is a way to do it. Elektra finds herself caught in a twisted game that pushes her to the limit, making her question whether killing really is the answer to creating a better world.
“Nightwing. Do you know where that name comes from? Most people think it’s a Batman thing. Y’know, former Robin emulating his former mentor because bats go out at night. They’ve got wings. It makes sense. But actually, it comes from Superman. See, Big Blue told me about these legendary heroes from his home planet, Nightwing and Flamebird. The Nightwing was the great rebuilder. The catalyst of change. Eternally reborn to start anew.” – Dick Grayson
Nightwing is one of my favourite superheroes because of his skill, optimism and colourful history. The original Robin stepped out from Batman’s shadow and he’s been a part of several iconic stories. Nightwing: Better Than Batman, written by Tim Seeley, features Dick Grayson returning to his roots and reclaiming his former identity in order to infiltrate the Parliament Of Owls. But a new player with ties to Grayson’s past threatens to change his entire philosophy and drive a wedge between Batman.