Dancing With The Tiger Review: Aztec History And Crooked Art Deals Combine For An Intriguing Story

“I’ve worn a mask most of my life. Most people do. As a little girl, I covered my face with my hands, figuring if I couldn’t see my father, he couldn’t see me. When this didn’t work, I hid behind Halloween masks: clowns and witches and Ronald McDonald. Years later, when I went to Mexico, I understood just how far a mask can take you. In the dusty streets, villagers turned themselves into jaguars, hyenas, the devil himself. For years, I thought wearing a mask was a way to start over, become someone new. Now I know better. A mask doesn’t change who you are; it lets you become the person you’ve always been, the person you paper over out of habit or timidity or fear. Some people – people like me – have to try on a lot of faces before they find one that fits.”

The Aztecs were one of the most advanced civilisations in the history, but they also had a reputation for violence. Human sacrifice, death masks and sun worship are how many people remember them, and Dancing With The Tiger by Lili Wright puts Aztec and Mexican mythology at the forefront. When a looter digs up the death mask of Montezuma, it sets off a chain reaction that sees drug lords, crooked art dealers and archaeologists all vying for the same prize. At the heart of the story is a woman called Anna who believes the mask of Montezuma can help her family find redemption, but she has to beat everyone else to get to it in time.

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