The X-Men have featured in some of the most recognisable stories in the history of comics, and Jean Grey is among the most iconic. Having been dead for years, Jean was resurrected in the pages of X-Men: Red, a series that sees her grappling with a changed world for mutants. Still believing in Professor X’s dream, she puts together a team of her own X-Men to try and make the world a better place for mutants and humans. I recently met the artist of the series, Mahmud Asrar in Manchester at a comic signing in Travelling Man and I couldn’t resist getting his thoughts on what it’s like to draw such an important character. He was really open and The Comic Vault is pleased to present an interview with Mahmud about his drawing process, what it meant to handle Jean and why the X-Men are so relatable in the modern day. Continue reading “X-Men: Red Artist Mahmud Asrar Talks About What It Means To Bring Jean Grey Back To Life”
One of my favourite things about comics is the wealth of art that’s produced on a regular basis. Cover art is an essential part of a comic that can often be overlooked, which is why I write a feature called Comic Cover Corner that puts the spotlight on a single issue. The cover I’m looking at today is Scarlet Witch #10, drawn by David Aja. The art depicts the Scarlet Witch in Japan and there’s so much to appreciate about the colours, mood and the story that it tells.
Being able to collect objects that you’re passionate about can improve your knowledge of the world, or infuse your home with a sense of uniqueness. I’ve recently started to collect comic statues as a way of brightening up my home and making it feel more personal. The latest one I’ve bought is the MARVEL NOW! Wolverine ARTFX+ statue that was crafted by Junnosuke Abe and produced by Japanese company Kotobukiya. The statue is highly detailed and does justice to the feral mutant. Read on to see The Comic Vault’s full review.
The appeal of collecting memorabilia stems from passion, or something specific that resonates with the collector. I’ve always been someone who appreciates good craftsmanship. The amount of time that goes into sculpting a statue can be taken for granted. That’s why I’ll occasionally be reviewing products that I enjoy from a decorative stand point. I’m starting with the Geralt of Rivia statue I bought from Forbidden Planet in Manchester. This version was made by Dark House in collaboration with CD Projekt Red. The statue is around 20 cm and came in a window box.
Recently, I attended Chester Comic Con and had the pleasure of meeting Batman and 2000AD artist Dave Taylor. Dave kindly agreed to be interviewed by The Comic Vault. He’s been in the industry for a number of years, drawing for DC, Marvel and indie publishers. One of his most well-known graphic novels is Batman: Death By Design. Read on to find out how he pissed off die hard Bat fans and why he feels it’s never been a better time to be an indie comic creator.
Comic Cover Corner is a segment that looks at a specific comic cover and examines why it’s so memorable. Today, I’m focusing on the cover of Red Hood: The Lost Days #1, drawn by William Tucci. The comic itself tells the story of how Jason Todd came back to life and started his journey to becoming the Red Hood. There’s a lot to love about this cover, from the colours to the raw emotion displayed by the character.
In this edition of Comic Cover Corner, I’m looking at the cover for Namor: The First Mutant #3, drawn by Jae Lee. The short-lived series focused on The Sub-Mariner’s mutant heritage and his time working with the X-Men. Lee came up with a gorgeous cover that shows off the regal nature of the character.